I’ve been taking part in an online workshop series about the editing process. During the first session we discussed reviewing the content while keeping your “lighthouse” in mind. The guiding light. The goal. The reason you started writing the project, be it an idea, concept, or full scene. From there remove elements that don’t fit in to that progression. I absolutely loved that idea, and it’s helping me re-work the first half of my piece.

For the second week, we did some peer review of our projects and were asked to review what we liked versus what stuck out like sore thumbs. Compare what fits the narrative to what we’re questioning the purpose of or are not pleased with. Does the piece work without those things? Do those things work on their own? Should they be enhanced or removed entirely?

Lots of good questions to consider.

An exercise suggested during this session that I found fascinating involved writing around obstructions. Impose a rule (e.g., only use dialogue, change the perspective, switch to a different character, etc.) and re-write a scene. This can offer fresh insight and allow you to identify the crucial details that work in both instances that are necessary to be included. It also breaks you out of your comfort zone, which is something you might unintentionally find yourself clinging to when writing a long piece.

Something I’ve always wanted to try, was to use my Tarot cards to help set a framework or outline for a scene and then stick specifically to that.